Milo

March 28
WHEN THE ROLL IS CALLED UP YONDER
Words and Music by James M. Black, 1856–1938
For the Lord Himself will come down from heaven, with a loud command, with the voice of the archangel and with the trumpet call of God, and the dead in Christ will rise first. (1 Thessalonians 4:15)
The calm assurance of a future heavenly home is one of the greatest blessings for every Christian. It has been said that only those with an absolute confidence in their hereafter truly know to live victoriously in this life. Having a personal relationship with Christ means that we need have no fear that we will not hear “the trumpet call of God,” whether we are still alive or asleep in Jesus.
James M. Black was an active Methodist layman, a music teacher, and a composer and publisher of numerous gospel songs. He related this experience:
While a teacher in the Sunday school and president of a young people’s society, I one day met a girl, 14 years old, poorly clad and a child of a drunkard. She accepted my invitation to attend the Sunday school and join the young people’s society. One evening at a consecration meeting, when members answered the roll call by repeating Scripture texts, she failed to respond. I spoke of what a sad thing it would be when our names are called from the Lamb’s Book of Life, if one of us should be absent. When I reached my home, my wife saw that I was deeply troubled. Then the words in the first stanza came to me in full. In fifteen minutes more, I had composed the other two verses. Going to the piano, I played the music just as it is found today in the hymnbooks.
The subsequent death of the missing girl from pneumonia, after an illness of just 10 days, furnished the dramatic finale to this account and gives a poignancy to the “roll call” song. Since its publication in 1894, this simply worded gospel song with its rather ordinary music has captured the hearts of innumerable believers. These sincere expressions have provided Christians with a singable vehicle of praise for the glorious future that still awaits them.
When the trumpet of the Lord shall sound and time shall be no more, and the morning breaks eternal bright and fair— When the saved of earth shall gather over on the other shore, and the roll is called up yonder I’ll be there.
On that bright and cloudless morning when the dead in Christ shall rise and the glory of His resurrection share— When the chosen ones shall gather to their home beyond the skies, and the roll is called up yonder I’ll be there.
Let us labor for the Master from the dawn till setting sun. Let us talk of all His wondrous love and care; then when all of life is over and our work on earth is done, and the roll is called up yonder I’ll be there.
Chorus: When the roll is called up yonder, when the roll is called up yonder, when the roll is called up yonder—when the roll is call up yonder I’ll be there.

For Today: John 6:40; 1 Corinthians 15:40–42; 1 Thessalonians 4:13–18

Give God praise for the certainty about your eternal destiny that you as a child of God enjoy. Live this day in that confidence.

March 27
WE’RE MARCHING TO ZION
Isaac Watts, 1674–1748
You have come to Mount Zion, to the heavenly Jerusalem, the city of the living God. (Hebrews 12:22)
Should we sing psalms or hymns in our church services? This was the controversy stirring many congregations during the 17th and 18th centuries. Isaac Watts was the life-long champion of the “humanly composed” hymn while the majority of the English-speaking churches insisted on the traditional psalm settings. Tempers frequently flared, and some churches actually split in the heat of this decidedly inharmonious musical conflict. In some churches a compromise was reached. The psalm setting would be sung in the early part of the service with a hymn used at the close, during which time the parishioners could leave or simply refuse to sing.
Isaac Watts’ “Come, We That Love the Lord” was no doubt written in part to refute his critics, who termed his hymns “Watts’ Whims,” as well as to provide some subtle barbs for those who refused to sing his hymns: “Let those refuse to sing who never knew our God; but children of the heavenly King may speak their joys abroad.” The hymn first appeared in Watts’ Hymns and Spiritual Songs of 1707 and was titled “Heavenly Joy on Earth.”
Still today there exists a controversy within some evangelical congregations regarding the use of traditional versus contemporary sacred music. Although we may each have our own preference, cultural differences such as this should never be a cause for disrupting the unity of any group of believers. This epigram by Augustine, the early church theologian, is still worthy of our earnest consideration: “Let there be in the essentials, unity. In all non-essentials, liberty. In all things, charity.”
Come, we that love the Lord, and let our joys be known; join in a song with sweet accord, and thus surround the throne.
Let those refuse to sing who never knew our God; but children of the heav’nly King may speak their joys abroad.
The hill of Zion yields a thousand sacred sweets before we reach the heav’nly fields, or walk the golden streets.
Then let our songs abound and ev’ry tear be dry; we’re marching thru Immanuel’s ground to fairer worlds on high.
Chorus: We’re marching to Zion, beautiful, beautiful Zion; we’re marching upward to Zion, the beautiful city of God.

For Today: Psalm 149:1; Isaiah 35:10; Habakkuk 3:17, 18; 1 Peter 4:13

Determine to follow the suggestion of this hymn: “Let our joys [not our minor differences] be known and thus surround the throne.” Rejoice in the truth that the best is yet to come—“fairer worlds on high.”

March 26
WE ARE CLIMBING JACOB’S LADDER
Negro Spiritual
He had a dream in which he saw a stairway resting on earth, with its top reaching to heaven, and the angels of God were ascending and descending on it. (Genesis 28:12)
This delightful children’s song was inspired by the account of Jacob’s dream at Bethel as recorded in Genesis 28:10–22. In this dream, Jacob saw a stairway or ladder resting on earth with its top reaching to heaven, with God’s angels or messengers ascending and descending on it.
From Jacob’s dream we learn that the gap between earth and heaven can be bridged. Although God revealed Himself in times past to various individuals as He did to Jacob, His full self-revelation required a God-Man—the Son of God in all of His deity and the Son of Man in full humanity to span the mighty gulf. Jesus Christ became the “ladder” for man to reach heaven and to enjoy even now a restored fellowship with the heavenly Father.
In times past, God used dreams to speak to people, as He did to Job (Job 33:15), Joseph (Genesis 37:5–9), Solomon (1 Kings 3:5, 15), Daniel (Daniel 7) and the wise men (Matthew 2:11–12). But with the completion of the Bible, our divine guidance is much more reliably known through the Holy Spirit’s illumination of the Scriptures than through dreams and visions that we may experience. In fact, God’s Word clearly warns against this kind of instruction (Jeremiah 23:16). It is this claim to extra revelation that forms the basis of all false cults.
As is true of all real spirituals and folk songs, there is no known author or composer of “Jacob’s Ladder.” It was first heard about 1825, and it has been a favorite with young and old since.
We are climbing Jacob’s ladder; we are climbing Jacob’s ladder; we are climbing Jacob’s ladder, soldiers of the cross.
Sinner, do you love my Jesus? Sinner, do you love my Jesus? Sinner, do you love my Jesus? soldiers of the cross.
If you love Him, why not serve Him? If you love Him, why not serve Him? If you love Him why not serve Him? soldiers of the cross.
We are climbing higher, higher; we are climbing higher, higher; we are climbing higher, higher, soldiers of the cross.

For Today: Genesis 27, 28, 29; John 1:51; Ephesians 4:13; 2 Peter 3:18

Keep this perspective in all you do: As Christians we are merely travelers in this life, moving forward and upward to our heavenly home. Even now, however, we have God’s messengers to help us live victoriously. Give Christ your thanks for making all of this possible. Use this little spiritual to help you as you reflect on these truths—

March 25
WHEN HE COMETH
William O. Cushing, 1823–1902
When Christ, who is your life, appears, then you also will appear with Him in glory. (Colossians 3:4)
The scriptural promise of Christ’s second coming is always a thrilling truth for believers to ponder. Beyond that, the thought of the Savior creating a jeweled crown from little children who love Him is a fascinating pictorial concept. William Orcutt Cushing conceived the idea for his “Jewel Song” text from the promise in Malachi 3:17: “And they shall be mine, saith the Lord of Hosts, in that day when I make up my jewels.” Pastor Cushing wrote the text for the children in his own Sunday school in 1856.
Several years later, William Cushing suffered a period of deep despair in his life. After the death of his wife, he developed a creeping paralysis and the loss of his speech at the age of 47. He was forced to retire from the ministry after 27 years as an active and successful pastor in Disciples of Christ churches. When he pleaded, “Lord, give me something to do for Thee,” God answered, giving him the gift of writing appealing hymn texts. He worked with such talented musicians as Ira Sankey and George Root to produce more than 300 gospel hymns during his remaining years. Such hymns as “Hiding in Thee,” “Under His Wings,” and “There’ll Be No Dark Valley” are just a few of his texts that have since contributed much to the lives of Christians everywhere.
William Cushing’s picturesque words in today’s hymn, “They shall shine in their beauty—bright gems for His crown,” could also be used to describe his own qualities of character. He was known by his many friends to be a noble, sweet, deeply spiritual Christian. Loved by all, Cushing continued to inspire and encourage others despite his handicap until the end of his life at the age of 79.
When He cometh, when he cometh to make up His jewels, all His jewels, precious jewels, His loved and His own.
He will gather, He will gather the gems for His kingdom, all the pure ones, all the bright ones, His loved and His own.
Little children, little children who love their Redeemer, are the jewels, precious jewels, His loved and His own.
Chorus: Like the stars of the morning, His bright crown adorning, they shall shine in their beauty—bright gems for His crown.

For Today: Zechariah 9:16; Matthew 16:27; Matthew 24:27, 29, 30, 31, 36, 42, 44; Acts 1:11; Titus 2:12, 13

Strive to live in the expectancy that Christ could return today. Carry this little children’s hymn with you. Share the truth of this song with your family as you have opportunity.

March 24
LET THE LOWER LIGHTS BE BURNING
Words and Music by Philip P. Bliss, 1838–1876
Let your light shine before men, that they may see your good deeds and praise your Father in heaven. (Matthew 5:16)
I do not ask for mighty words to leave the crowd impressed,
But grant my life may ring so true my neighbors shall be blessed.
I do not ask for influence to sway the multitude;
Give me a “word in season” for the soul in solitude.
—Unknown
The lower lights surrounding a lighthouse guide the boats in the harbor away from the treacherous rocks and into the channel. The interesting analogy in this hymn was suggested to author and composer Philip P. Bliss as he listened to D. L. Moody tell a sermon anecdote about a pilot during a storm.
“Brethren,” concluded Mr. Moody, “the Master will take care of the great lighthouse. Let us keep the lower lights burning.” Bliss, as he often did, immediately put this challenging thought into a hymn. He usually worked rapidly, completing both the text and the music in one sitting.
Bliss first met Dwight L. Moody in Chicago in 1869 and soon joined him and his music associate, Ira Sankey, in their evangelistic campaigns. A prolific composer of gospel hymns, Bliss continued to write and publish until his death at the age of 38 in a tragic train accident at Ashtabula, Ohio, during the Christmas season of 1876. Yet his many songs, including “Jesus Loves Even Me,” “Hold the Fort,” “Hallelujah, What a Savior,” “Wonderful Words of Life,” and many more, still live on today to bless and inspire our lives.
We may not all be powerful lighthouses, such as Mr. Moody, Ira Sankey, or Philip Bliss, but God calls us each to be “lower lights” wherever we are to guide some fainting, struggling person to the eternal haven with deeds that direct all the praise to our heavenly Father.
Brightly beams our Father’s mercy from His lighthouse evermore, but to us He gives the keeping of the lights along the shore.
Dark the night of sin has settled. Loud the angry billows roar; eager eyes are watching, longing for the lights along the shore.
Trim your feeble lamp, my brother! Some poor sailor tempest tossed, trying now to make the harbor, in the darkness may be lost.
Chorus: Let the lower lights be burning! Send a gleam across the wave! Some poor fainting, struggling seaman you may rescue, you may save.

For Today: Daniel 12:3; Matthew 5:1–16; James 5:19, 20

Resolve to keep a gleam burning for Christ by words and actions so that some seeking individual may be directed into a calm and secure relationship with the Lord. Use this musical message as a reminder—